Showing posts with label installation. Show all posts
Showing posts with label installation. Show all posts

Tuesday, May 8, 2012

Installation: The Immortal



This art installation is comprised of various life-support machines  connected to each other, circulating liquids and air in an imitation of a biological structure. The piece is intended to explore human dependence on modern electronics in medicine.

   
"Salted water acts as blood replacement: throughout the artificial circulatory system minerals are added and filtered out again, the blood gets oxygenated via contact with the oxygen cycle, an ECG device monitors the system's heartbeat.

As the fluid pumps around the room in a meditative pulse, the sound of mechanical breath and slow humming of motors resonates in the body through a comforting yet disquieting soundscape."

Installation: And That’s the Way It Is



This massive installation projects transcripts of the new casts of reporter Walter Cronkite in a Matrix-style read out on the front the College of Communication at Walter Cronkite Plaza, on the campus of Cronkite's alma mater, The University of Texas at Austin.

To honor the Cronkite legacy, the College of Communication at The University of Texas at Austin dedicated the Walter Cronkite Plaza on Thursday, April 19, in front of the Jesse H. Jones Communication complex, near Dean Keeton Street and Whitis Avenue.

“And That’s the Way It Is,” an art installation by renowned new media artist Ben Rubin, is filmed in part in this video. The permanent art installation can be seen every evening from dusk to midnight and is projected on the front of the CMA building on campus at 2504 Whitis Avenue.

Cronkite attended UT from 1933 to 1935 and served as anchorman for the CBS Evening News from 1962-1981.

The digital art installation by media artist Ben Rubin entitled “And That’s the Way It Is,” is named for the iconic catchphrase used by Cronkite at the end of his news broadcasts. The piece was commissioned for the College of Communication by Landmarks, the University’s public art program, and will use lighting to display images and text from Cronkite’s news broadcasts, along with current news coverage, across the south side of the Communication Building.

Rubin said the purpose of the work is to both honor Cronkite and foster research regarding the differences between past and present news coverage.

Thursday, May 3, 2012

Installation: Patterned by Nature


"Patterned by Nature" created by Plebian Design and Sosolimited

Patterned by Nature was commissioned by the North Carolina Museum of Natural Sciences for the newly built Nature Research Center in Raleigh, North Carolina. The exhibit celebrates our abstraction of nature’s infinite complexity into patterns through the scientific process, and through our perceptions. It brings to light the similarity of patterns in our universe, across all scales of space and time.

10 feet wide and 90 feet in length, this sculptural ribbon winds through the five story atrium of the museum and is made of 3600 tiles of LCD glass. It runs on roughly 75 watts, less power than a laptop computer. Animations are created by independently varying the transparency of each piece of glass.









Monday, April 30, 2012

Installation: Street Invaders


Street Invaders by Filthy Luker
 
Using road barriers and traffic cones, street artist Filthy Luker brought his the alien invasion down to the streets with this interactive installation. This kind of large scale practice is essential for when the real invasion inevitably begins, so don't worry people of Earth, gamers got your back.




http://29.media.tumblr.com/tumblr_m36m816jD21qzamioo3_1280.jpg


Installation: Manta Rhei


"Manta Rhei" OLED-­based fixture from Selux and ART+COM

The luminaire consists of ten 1.2-meter long, flexible metal lamellas each of which carries ten paper thin OLED-modules. Thin steel wires attach the blades to small motors hidden in the ceiling. Being individually controllable these motors move the lamellas ends up and down like wings, and permit the 2.4-meter wide fixtures body to perform different movement patterns, e.g. it can float like a manta ray.




Thursday, April 26, 2012

Installation: Koto-no-ha


"Koto-no-ha" ("Language") by Noriko Shiozawa

This beautiful work is composed of more than 2,500 letters and characters from different languages from around the world. The colorful writing is illuminated from behind, and walking into this room is a bit like walking into an abstracted conversation in which you’re hearing bits and pieces of the entire planetary population talking at once.  This piece, by Noriko Shiozawa (塩澤徳子), is called “Koto-no-ha” (こと‐の‐は), which is an older Japanese word for “language.”  Shiozawa-san was kind enough to give her permission to allow the photograph above to be used as the cover for the UNESCO Jakarta Annual Report 2008.

Wednesday, April 25, 2012

Installation: Hope and Dream


"Hope and Dream" a light sculpture by Makoto Tojiki

Makoto Tojiki developed "Hope and Dream," an illuminated kinetic sculptural installation for luxury beauty brand Clé de Peau Beauté as part of their "L'art de La Radiance" exhibition to mark the brand's 30th anniversary celebration at Artistree in Hong Kong. The piece begins with a young girl releasing a bird from her outstretched hands.  As the moving light continues, each of the additional components captures the bird in a moment of flight.



  

  


Tuesday, April 24, 2012

Installation: Architect’s Eye



This reflective eye sculpture in Milan’s Cortile d’Onore of the Ca’ Granda emulates an actual human eye, its gaze shifting to take in its surroundings. It’s so lifelike, the pupil even dilates and contracts to further convince you that you’re staring into the Eye of Sauron.


Installation: Dancing Feathers



Monday, April 23, 2012

Installation: Bus Structure 2am-2pm


Copper, steel, thread, and wood

Bus structure 2am-2pm is a three-dimensional model of the Sunday Minneapolis / St. Paul public transit system, where the horizontal axes represent directional movement and the vertical represents time. The piece is constructed of 47 horizontal layers, each forming a map of the bus routes that run during a given interval of time. Looking down from the top, one sees the Sunday bus map of the Twin Cities, while looking from the side, the times appears as strata building upwards. Within each layer, every transit route that operates at that time is represented by wood balls placed at its scheduled stops.



  


Installation: data.anatomy


"Data Anatomy" by Ryoji Ikeda




Thursday, April 19, 2012

Installation: End Piece


"End Piece" by David Hall


To coincide with the end of analogue TV in the UK on April 18, this exhibition by video art pioneer David Hall features the new commission ‘1001 TV Sets (End Piece)’, 1972-2012. The work features 1001 cathode ray tube TV sets, of various ages, all tuned to random analogue stations which, as the signals are turned off between April 4-14, will gradually change the sound in the space from a cacophony of overlapping audio to a hiss of white noise.  It is currently on exhibit at London’s Ambika P3.








Wednesday, April 18, 2012

Installation: Mauritian Sunset


"Mauritian Sunset" by Sandy Smith, January 2006

"Mauritian Sunset" was made for the 'Great Artspectations' exhibition at The Embassy Gallery in Edinburgh. A relatively small gallery, and another 2 artists to share the space with, meant that the work had to be as self contained as possible. As the gallery also had large windows, letting in light which could ruin the soft lighting effects of the work, the wall had to be as 'perfect' and light-proof as possible.

The resulting wall stretched accross the centre of the main room of the gallery, wall to wall and floor to ceiling, the rear of the computers facing the windows onto the street. A small doorway was built into the wall, only five and a half foot tall, and two foot wide. The monitors facing forwards showed flat colour, working over the wall to create a rough gradient representation of a classic sunset.




Installation: Dune


Dune by Dutch designer Daan Roosegaarde

"Dune" is an interactive landscape that interacts with human behavior. This hybrid of nature and technology exists out of large amounts of fibers which brighten according to the sounds and motion of passing visitors. DUNE 4.2 is a permanent interactive landscape residing alongside the Maas River in Rotterdam, NL. This public artwork of 60 meters utilizes less than 60 Watts while intuitively interacting with its visitors; rendering the installation sustainable as well as cutting edge in construction. It will exhibited in the 18th Art Biennale of Sydney, Australia on June 27, 2012.

  




Tuesday, April 17, 2012

Installation: Moon Dust


"Moon Dust (Apollo 17)" by Spencer Finch, 2009.

This hanging light piece represents precisely the chemical composition of moon dust, that was analyzed on the Apollo 17 mission in 1972. Each light bulb stands for a different atom, the smallest ones represent Oxygen and the large bulbs standing for heavier atoms such as Iron and Chromium.

  

Monday, April 16, 2012

Installation: Tube


On exhibit at the Lithuanian Pavilion of Scuola Grande della Misericordia
in Cannaregio, Venice, Italy for the 53rd Venice Biennale

Tube is a work that creates a dramatic enclosed walkway over 80 feet long from stretched lengths of old VHS videotape. The work is one of the latest in a series employing Kempinas’ signature medium of unspooled magnetic tape, works that have inventively exploited the strength and ultra-lightweight nature of tape to create beguiling and seemingly contradictory physical spectacles that skillfully subvert relationships with architecture, form, and space.

Zilvinas was chosen to represent Lithuania by an independent committee from the Lithuanian Ministry of Culture and presented this installation at the Scuola Grande della Misericordia, a majestic Renaissance building designed by architect Jacopo Sansovino in the 16th century


   




Tube was created in Atelier Calder, Saché, France and then was set up for the Lithuanian pavilion in Venice, 2009. Tube installation offers an optical experience to the viewer creating lots of different moire visual effects, and as well as a perception of the body and architecture. Zilvinas Kempinas says:
"I am attracted to things that are capable of transcending their own banality and materiality to become something else, something more. I like the way that videotape is simultaneously delicate and durable, since it’s meant to last. I can rip it easily with my hands because it’s so thin, but I can also stretch it. Videotape is made to present the world in color, but it appears purely black. It’s supposed to be this safe container of the past, but it is destined to vanish like a dinosaur, to become obsolete, pushed away by new technologies. It’s a familiar mass-produced commodity, but it can be surprisingly sensual and can look almost alive if set in motion. It can be seen as a solid, thick, black line, but it can also disappear right in front of your eyes if it’s turned on its side"

Installation: Memory Cloud


"Memory Cloud" by RE:site and Metalab

Memory Cloud is the winning commission awarded to RE:Site (Norman Lee and Shane Allbritton) and METALAB (Andrew Vrana, Joe Meppelink, Michael Gonzales and Thomas Behrman) by Texas A&M University for exhibition in the new Memorial Student Center at the 12th Man Hall. Through a competition and short-list interview process, the team demonstrated the ability to harness the potential of programmable LEDs, remote sensing, parametric design and digital fabrication to create an open ended narrative of the story of the University through animated silhouettes representing the past and present student life on the campus.